1977 Arroyo Seco, NM, (at the foot of Taos Ski Valley)

This must have been the winter when it snowed in October and the ground stayed white until May. And I dressed in layers. Under those jeans, some thick long johns, bottom and top, and then the pretty frock, one of the few things I owned not hand made by me, for me. That dress was from a shipment of India Imports clothes my dear friend Miki Long organized every few months. She’s take orders at her house, from her catalogue, and order in bulk. The semi-truck barreling along the highway would pull over, and she’d be there at pre-arranged times to exchange the dough for the bundle of India import clothes for women. She had the same thing going with wholesale foods, health foods, that she’d order up in bulk boxes and bags and we’d divvy up our yogurts and sacks of rice at half the price of going to Santa Fe. All before the coop in Taos took over and became a local health food store. Miki had four kids and didn’t drive in those days. She innovated. Ran her own little business.

And I, in the picture, am in the early stages of my sewing business (Divine Fit Sewing)—the “divine fit” part referenced the deep hysteria I felt about making custom clothes, curtains, upholstery covers, etc., when I really wanted to be doing something more brainy, more engaging. But first, before I returned to college and mainstream society, I sewed for everyone I knew. My jeans patches were a bread and butter industry for me. One handsome guy whose name eludes me now, said if it weren’t for the six layers of thigh patches on his Levis, that chainsaw he dropped would’ve cut his leg off. I charged six bucks an hour to patch pants (2.5 times minimum wage) and wouldn’t touch a pair that hadn’t been properly laundered first.

In the photo, I’m wearing an alpaca sweater from the Free Box in El Prado, warmer than most coats, and I’m caught here in the act of wrapping a long mohair scarf round my neck to top off the coziness. The Sorrels were a thrift store special which I loved to pieces and if it was above 10 degrees, I don’t think I bothered much with hats and gloves. I may have been going out to the woodpile to chop up some wood, our only source of heat in that big old adobe. The vehicle is my old Dodge slant six which thankfully had a block heater so she started right up in the morning. Amos was in school in town some eleven miles down the road. The wood stove was an airtight so the fire would go to embers, but I don’t remember ever being cold. I was busy.

In the spring I went to Alamogordo to get help with my relentless depressions. I think this picture was taken after my first session with Robert. I looked happy. I remember feeling happy, how hopeful I became about having a better life, better than endless torment over the missing Michael. I’d given him up entirely, and in this picture, I am feeling empowered and joyful.

 

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(Dreaming My Addiction Poems Oct 9, 2017)

Abstractions of Addiction

A is for Addiction

B is for Blame

C is for Compassion

D is Deranged

E is for the Elephants, traipsing through the room

F is for Falling, failing, falling, flailing, fear of

G, for Getting: high, low, money, clean

H is for Higher Power who isn’t someone you know

I is for Ignorance, ignoring, ignored

J is for Jail bait, jail birds, the red yellow orange of Justicia

K is for Kicking over and over, kicking back, down, in

L is for Love, for losing everything and everyone

M is for Money, for me, mine, mother

N is for Never  try them, Baby oh

O is the Poppy flower, the Orient Express

P for Paying, for Papas gone, prison

Q is for Qi, the circulating life force, veins

R is for Relapse, rehab, relapse, sorrow

S is for Serenity, the prayer before the step

T  for Terrible, the disease, the terror

U is for Us mothers, kids, lovers, fathers, friends

V is for Very very hard to let go

W is Waiting and waiting: the phone rings, a door closes

X is for EXtra sad, extra happy, extra life, ex-wives

Yes, Y is for Yes, you are loved by your kids

Z is for Zealots who work to end the silence

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One Half and One Whole Sonnet, a Wedding Poem

 

One half and one whole sonnet.

“Let me not to the marriage of true minds

Admit impediments. Love is not love

Which alters when it alteration finds

Or bends with the remover to remove:

Oh no; it is an ever-fixéd mark,

That looks on tempests, and is never shaken;

It is the star to every wandering bark . . .” (sonnet 116)

~

Born glad, she suckled, slept and let me rest

The gift of her, calming to our fam’ly.

Preparing us with pen and line, we signed.

In youth her travels set to Germany!

Robert, gazing west, honed skills, learned South Park fast

Simpsons, American, challenged his parents

Daring and smart; he’d win this lass

His tall agenda writ upon the wall.

Their paths crossed twice one night, in dark Berlin

Fate gave a glimpse how opposites attract;

Also true that Same gives bliss. In One

the joy of being themselves bears no lack.

 

From the second third of life, it’s now said:

Enjoy a long love, unto each other wed!

 

 

 

 

 

 

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I’d guess I’ve garnered and spent

photo by Meg Bridge

I guess I’ve garnered and spent at least 6 minutes of my Andy Warhol-limit of 15 minutes of fame. The “Finalist” surprise came just before the wedding weekend so I missed it. Days passed before I could open my computer. Vows under the tumultuous summer-to-fall teasing storm clouds in an almost sunset! Such a background in the Elena Gallegos amphi-theater made for a tender and beautiful exchanging of vows. I have a new son-in-law! My family has expanded and our German in-laws are as friendly and compatible as I could dream for. If life were a contest, I’d be labeled winner all over the place.

But it’s not, not a contest. It’s a coming together to celebrate and “finalist” status is one of those balls tossed around, or the storms that hit the ground, the bingo on your card. We share those honors. What’s an author without an audience? Without readers? We all have roles to play and live, and so today I celebrate the joy in being alive, still in the game. A feather in my cap or a one up on the scoreboard is a flicker of light, and that light, added to yours, makes the paths visible, the dark less dangerous. Uh oh—give me a little prize and I babble forth like a brook trying to be a river. But what the heck. Light those candles. Dance that dance.

 

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30 things I learned from Dr. RW (and a stray sage or two)

(MM and Amos) My dad was visiting us at the dome, our home in Taos in 1980, just before relocating to Alamogordo, NM. His station wagon, my blue Dodge pick-up.

What I remember from Dr. Robert Waterman, Ed. D., LCC, and likely, a wandering sage or two is laid out below in three sets of ten,  not necessarily chronologically. Three sets of ten; take your pick. I recently found Dr. W online. He still lives and practices in Santa Fe, as of my last research. Just to backtrack a little, the learnings below were presented to me in 1976 or so, when I ventured south to his clinic in Alamogordo. The sliding scale fee which was still huge for me and the room for overnight made him popular with Taos hippies who wanted a hand up out of the hole they may have felt stuck in.  I was one of those hippies.  I was in dire need of help, and I believe I had two sessions with him. Later, in 1980, I returned to Alamogordo to attend some classes at his school while also attending NMSU-Alamogordo branch. I was launching myself back into mainstream America, sort of.

I.  He said:

  1.  “You have a good grasp on self-love; that’s a good thing.”
  2. Let’s work on what you think is out of your reach.
  3. You picked him (Amos’s dad); you can let him go.
  4. A light goes on! I can let him go.
  5. Find him. Tell him. Make sure you are clear and he understands you are setting him free from your expectations.
  6. Your son’s and his relationship is up to them. You provide the dime for the phone call.
  7. Get out into the world. Join. Meet people. (Make something of your life.) My grandma told me that too, to do something with my life. (I joined Tai chi in the park, and yoga in a woman’s lovely home.)
  8. Pot takes you, he said, from A to B, back to A, then to B; A to B, B to A, endless loop.
  9. Tell your friends not to smoke around you. You ought to give up recreational drugs and going with guys who are disrespectful, unkind, violent, drug-addled, or otherwise unsuitable for you.
  10. Golden Rule and get a phone. A PO box and ten miles out of town isn’t working for you.

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Greggory Meets Bob 1969

for my friend Gregg (in plaid) a draft by Merimee from notes by Gregg

Read it with a Dylan/Cash-kind of rhythm   (gui’ tar) stress on first syllable

ps Gregg, I know nothing of song writing. This is a poem;

then again, Dylan is a poet.​10/21/16)

 

Me & Bob Dylan 1969

I was sitting in yr driveway, Mr. Dylan, way back then

You surprised me with yr talk about who was I, a friend?

 

You said the neighbors didn’t like any transients on your porch

but I could come in for a sandwich, if I didn’t mind white bread

 

I said I did; you sat me down and passed me a guitar

the one from Johnny Cash with your eyes lit up like stars

 

Just back from Nashville, recording with the man in black

You were holding your white sandwich and you let me pick a tune

A sandwich worth of music on that Woodstock afternoon

 

I’d walked all over Woodstock asking people where you lived

I’d walked all over Woodstock but I wouldn’t eat white bread

said I wasn’t hungry, a kind of picky, skinny kid

 

We hippies liked whole food, and fixed a certain way

Mr. Dylan, you were generous to let me come inside

And I’d rather play your guitar than eat a sandwich, any kind

 

I wanted so to meet you and you said I could come in

Come in for a sandwich; put a guitar in my hand

You said, Come in for a sandwich and put a guitar in my hand.

 

 

 

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Hippie Easter Egg Matanza

Chris, Pilar, Michelle, and Amos 1974–ish (the 60s are ending)

This came to me, a gesture from someone at the event, a rare photo of my son age two and a half. He was so stylin in his little Peruvian bowler and fringie leather jacket.  He managed not to lose that hat for years–until? I don’t know. I don’t know what happened to it. Amos knows how to watch out for his stuff. Notice the sharp eye he’s laying on the dog who is sniffing around his basket. There may have been a candy or two; hippies weren’t big on wasting precious food money on empty calories. Those eggs he’s holding will go into that basket and be enjoyed, every one of them.  The weather was good and we can’t see it here, but there was a pig or goat roasting in the ground beside the house. It may have been roasting all night, and I don’t remember eating it, but I do remember the guys tending it, especially so no kids would come near and fall into the pit. An old-fashioned matanza, I would come to learn the Hispanic tradition of the huge party, the roasting animal, the boards on saw horses with a feast pot-lucked by all for all.

The teenagers are sitting on a low, unfinished wall that marks the shape of a front yard where a few years later, when Amos is turning five, Lucia and her son Miguel,  and Amos and I will take a turn at being the renters of the house.  It was a nice place. A real house owned by the neighbor Fermin who ran his cows and sheep every where but that little yard. Out back were a couple of acres of cow-heavenly green and a pond with a raft that every kid who lived there was forbidden to play on, but most likely every one of them did. I used to go back there and watch Amos pole himself around the pond. He’d learned to swim but there were murky things, old wire and fence parts and it was dangerous. He was careful. He watched out, and a bit like me, his mother, I think he believed that no harm would come to him.

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This boy, 1967.

This boy, 1967.

This boy, this man, was in France and Germany doing everything he could to stay alive serving his country and very luckily, did not get sent to Nam. He asked; he received. Is that why I finally married him? All he had to do was ask, really, which took him a while. When he finally did, it was on the phone from Hawaii to Alamogordo. But his separated-from-him wife didn’t file for divorce until the day he showed up at my door in New Mexico.  However, the story I want to tell right now is about high school.

We went to the same high school for one year. I saw him on the last day of school and my friend brought him to an off-to-college end of summer goodbye party. For us, it was a hot hello. He was a dreamboat incarnate and an oddball to boot. But while he had two years of high school left, I was off to college 100 miles away, close enough to stay in touch, a hot touch. But that’s not the story either. The story is jumping off the MacKenzie River Bridge, just north of Eugene, Oregon, where the park is now gentrified into an RV money maker for the county.

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PH Phactor Jug Band 1966

PH Phactor 1966

Paul Bassett, Steve Mork, John Hendricks, John Browne Jr.

The friendly and curious, Patrick Murphy, curator of the Summer of Love exhibit currently at the MMFA in Boston seemed surprised when I told him Steve and I had had a wall full of Avalon and Fillmore posters–all Steve’s doing as I was a bit impervious to the hugeness of what was happening in the music scene. The posters were pretty and made great wall art, free for the taking at most concerts or on telephone poles or taped inside windows along Haight Street.  And yes, I’d been to the Avalon uncountable times, always a guest given my girlfriend status with Steve. Fewer times to the Filmore, where the Airplane reigned and for some reason there wasn’t an affinity between us and Ms. Slick.

One afternoon Steve and I went over to the Fillmore to see if we could meet  Frank Zappa, whose music I liked for his  iconoclastic lyrics, including the off the wall band name, the Mothers of Invention . And there we were shaking Zappa’s hand ( Steve was; women/girls didn’t shake hands in those days) after helping him haul some of his equipment from the truck parked at the front door, across the long, wooden-floored hall, and up onto the stage. He was happy to meet Steve who was never hesitant to offer his farm-boy strength to a worthy cause. I carried lighter things and figured we probably wouldn’t make it back to the concert even though Zappa had electric good looks.  Zappa assured us we’d be welcomed as guests at the door. I don’t know why we didn’t return. Maybe it was just time to kick back–I have no recollection.

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THE Photo in Sunday Boston Globe Sunday Arts July 9, 2017 the Ensuing Letter in the “Ideas” Section July 16, 2017

This photo stirred up a fun ruckus between me and the MMFA in the last couple of weeks.  The Globe writer, Mark Feeney, reported a metaphoric judgement about us being  hippie drug dealers.  Now when in god’s creation would a drug dealer pose like a gargoyle, grin like an imp, and fan a wad of bills (one’s undoubtedly) in his belt in front of his own house? Why Herbie Green (The Haight Street Photographer) was there on the street is not clear, but I’m guessing he had ambled up the hill with John Hendricks just to see what he could see. Hendricks, I believe, was divvying up the previous night’s tips from the Matrix (still a famous jazz club). I attended that gig several times, maybe for the peanuts and beer which was their pay along with tips, maybe for something to do, maybe to listen to amazing music–a daily event for me for years. Anyway, we probs left the Matrix on our borrowed Honda Super Hawk 405 (thank you Mr. Jug aka Larry Hanover (RIP).  I’m guessing we were in bed from the looks of my attire, and John asked us to come down and talk to Herbie Green. What I do know for sure was that I got a dollar of the take to buy food, and we were not sitting out there dealing drugs in the wee hours of the morning.  Nor did any of us deal drugs period. The PH Phactor Jug Band smoked like all good folks did in our circle. John had even changed the lyrics from a well-known Christmas figgy pudding song to “We want some maryjuana, we want some maryjuana, so bring it right here.” And people did!  The song always embarrassed me a bit, making us seem like beggars, but John was serious.

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